Dan Cohen

Archive for the ‘Conferences and Workshops’ Category

Panel on the Future of Digital Publishing [Video]

Tuesday, December 6th, 2011

I really enjoyed the 2011 HASTAC conference at the University of Michigan last weekend. Many interesting talks and project presentations, and less formal (but no less interesting) conversations in the hallways.

I particularly enjoyed the panel I was on with Tara McPherson and Richard Nash on “The Future of Digital Publishing.” Video of that panel is now available:

I expand upon several points I’ve been making in this space and elsewhere, such as PressForward‘s pyramidal scheme of assessment, the notion that scholarship can come in many forms and should shape journals rather than vice versa, the hidden cost of perfection, and the affordances of digital publishing.

Digital Humanities at the 2012 American Historical Association Annual Meeting

Monday, September 26th, 2011

Longtime subscribers to this blog know that I’ve been grousing for years about the lack of digital topics at the American Historical Association annual meeting. From today’s announcement about the 2012 meeting in Chicago:

The AHA’s 126th Annual Meeting in Chicago this January 5-8, 2012, will feature nearly two dozen sessions on digital history. This series, titled The Future is Here, includes presentations, discussions, and demonstrations of how digital methods might assist historical research and the humanities in general.

Fantastic. I was on the program committee this year, but this was really a group effort: the committee chairs (Jake Soll, Jennifer Siegel), the entire program committee, the president of the AHA (Anthony Grafton), and the AHA itself (especially executive director Jim Grossman) were all committed to providing more of a platform for new, digital work. And as you can see from the program, we were fortunate that many innovative scholars and projects decided to present in Chicago.

Hope to see you there.

THATCamp 2011: Even Bigger, More Open, More Educational, More Fun

Friday, March 18th, 2011

We decided to pull out all the stops for this year’s THATCamp (now called THATCamp Prime or THATCamp CHNM or that THATCamp since there are now so many regional THATCamps). From the THATCamp blog:

All year has been THATCamp time, seems like, but we’re now talking about that THATCamp, which will take place

June 3-5, 2011
Center for History and New Media, Fairfax, VA

We’ve instituted some changes this year:

  • THATCamp will be larger: we’re planning on having about 125 people who do all kinds of work related to the humanities and technology;
  • THATCamp will be truly open to all: instead of having an application process, we’ll be accepting all registrations up to 125 people until April 22;
  • THATCamp will have a BootCamp: the unconference will happen as usual on the weekend over a day and a half, but the Friday beforehand will be devoted to a series of workshops dedicated to improving technical skills; and
  • THATCamp is planning on at least two virtual sessions in which we get to talk to campers at THATCamp Liberal Arts Colleges and to Jon Voss about the outcome of his Linked Open Data in Libraries, Archives, and Museums Summit.

Needless to say, we’re psyched. See you there.

If you haven’t been to THATCamp yet, I can’t recommend it enough. It’s intense, fun, and you’ll learn more and meet more interesting, great people than anywhere else. There’s also a bit of Woodstock to it, and no big registration fee, just a very small suggested donation. We also have on-campus accommodations this year at the very nice new Mason Inn.

Register right now to reserve your slot. Hope to see you in June!

Digital History at the 2011 AHA Meeting

Monday, October 25th, 2010

It’s time for my annual report/rant on the lack digital sessions at the American Historical Association annual meeting, a good gauge of what professional historians are interested in. Evidently we historians will just keep on doing what we’re doing how we’re doing it until it seems truly anachronistic. Just one of the main AHA panels, out of nearly three hundred, covers digital matters; perhaps another will touch on digital methods. By my count there are another six digital sessions overall, but these other sessions are put on by affiliate societies or were added by the program committee during lunches or other break times (that is, there were almost no digital panels proposed by historians attending the meeting). Incredibly, there are actually fewer digital sessions at the 2011 annual meeting than in prior years. Because clearly this digital thing is a flash in the pan.

OK, I’ll stop with the sarcasm. I love my colleagues in history, but it’s time for a change, and as a new member of the AHA program committee I suspect the state of affairs will be different at the 2012 meeting. For now, here is this year’s list of digital sessions at the AHA annual meeting:

When Universities Put Dissertations on the Internet: New Practice; New Problem?
[Special session added by the program committee during lunch on Friday]

Critical Issues in Bibliography and Libraries in the Digital Age
[Sponsored by the Association for the Bibliography of History and the American Association for History and Computing]

Digital Tools for Teaching and Learning American History
[CHNM's own Rwany Sibaja hosts a 45-minute intro/demo]

Public Media and the Case for Digital History: New Directions and Opportunities for Students, Teachers, and Historians
[Special session added by the program committee during lunch on Saturday]

What’s Next? Patterns and Practices in History in Print and Online
[AHA Session 191, co-sponsored by the American Association for History and Computing]

History and Technology In and Out of the Classroom
[Sponsored by the Coordinating Council for Women in History]

Religious History’s Digital Future
[Sponsored by the American Society of Church History]

Enhancing Historical Thinking Skills Through Teaching American History Grants
[AHA Session 269]

What Should Scholarly Society Meetings Look Like in the 2010s?

Tuesday, October 12th, 2010

Unlike some of my blog post titles, this one really is a question. What do you think they should look like? I ask because I am now on the program committee for the American Historical Association and this Saturday we begin planning for the January 2012 meeting. Committee members are encouraged to bring five “panel ideas” with them to the initial planning meeting; I, of course, plan to agitate for non-panel forms as well (think: THATCamp), and I suspect that the audience for this blog has even more creative ideas.

So: What would you propose? Let me know in the comments.

Thoughts on One Week | One Tool

Thursday, August 5th, 2010

Well that just happened. It’s hard to believe that last Sunday twelve scholars and software developers were arriving at the brand-new Mason Inn on our campus and now have created and launched a tool, Anthologize, that created a frenzy on social and mass media.

If you haven’t already done so, you should first read the many excellent reports from those who participated in One Week | One Tool (and watched it from afar). One Week | One Tool was an intense institute sponsored by the National Endowment for the Humanities that strove to convey the Center for History and New Media‘s knowledge about building useful scholarly software. As the name suggests, the participants had to conceive, build, and disseminate their own tool in just one week. To the participants’ tired voices I add a few thoughts from the aftermath.

Less Talk, More Grok

One Week director (and Center for History and New Media managing director) Tom Scheinfeldt and I grew up listening to WAAF in Boston, which had the motto (generally yelled, with reverb) “Less Talk, More Rock!” (This being Boston, it was actually more like “Rahwk!”) For THATCamp I spun that call-to-action into “Less Talk, More Grok!” since it seemed to me that the core of THATCamp is its antagonism toward the deadening lectures and panels of normal academic conferences and its attempt to maximize knowledge transfer with nonhierarchical, highly participatory, hands-on work. THATCamp is exhausting and exhilarating because everyone is engaged and has something to bring to the table.

Not to over-philosophize or over-idealize THATCamp, but for academic doubters I do think the unconference is making an argument about understanding that should be familiar to many humanists: the importance of “tacit knowledge.” For instance, in my field, the history of science, scholars have come to realize in the last few decades that not all of science consists of cerebral equations and concepts that can be taught in a textbook; often science involves techniques and experiential lessons that must be acquired in a hands-on way from someone already capable in that realm.

This is also true for the digital humanities. I joked with emissaries from the National Endowment for the Humanities, which took a huge risk in funding One Week, that our proposal to them was like Jerry Seinfeld’s and George Costanza’s pitch to NBC for a “show about nothing.” I’m sure it was hard for reviewers of our proposal to see its slightly sketchy syllabus. (“You don’t know what will be built ahead of time?!”) But this is the way in which the digital humanities is close to the lab sciences. There can of course be theory and discussion, but there will also have to be a lot of doing if you want to impart full knowledge of the subject. Many times during the week I saw participants and CHNMers convey things to each other—everything from little shortcuts to substantive lessons—that wouldn’t have occurred to us ahead of time, without the team being engaged in actually building something.

MTV Cops

The low point of One Week was undoubtedly my ham-fisted attempt at something of a keynote while the power was out on campus, killing the lights, the internet, and (most seriously) the air conditioning. Following “Less Talk, More Grok,” I never should have done it. But one story I told at the beginning did seem to have modest continuing impact over the week (if frequently as the source of jokes).

Hollywood is famous for great (and laughable) idea pitches—which is why that Seinfeld episode was amusing—but none is perhaps better than Brandon Tartikoff’s brilliantly concise pitch for Miami Vice: “MTV cops.” I’m a firm believer that it’s important to be able to explain a digital tool with something close to the precision of “MTV cops” if you want a significant number of people to use it. Some might object that we academics are smart folks, capable of understanding sophisticated, multivalent tools, but people are busy, and with digital tools there are so many clamoring for attention and each entails a huge commitment (often putting your scholarship into an entirely new system). Scholars, like everyone else, are thus enormously resistant to tools that are hard to grasp. (Case in point: Google Wave.)

I loved the 24 hours of One Week from Monday afternoon to Tuesday afternoon where the group brainstormed potential tools to build and then narrowed them down to “MTV Cops” soundbites. Of course the tools were going to be more complex than these reductionistic soundbites, but those soundbites gave the process some focus and clarity. It also allowed us to ask Twitter followers to vote on general areas of interest (e.g., “Better timelines”) to gauge the market. We tweeted “Blog->Book” for idea #1, which is what became Anthologize.

And what were most of the headlines on launch day? Some variant on the crystal-clear ReadWriteWeb headline: “Scholars Build Blog-to-eBook Tool in One Week.”

Speed Doesn’t Kill

We’ve gotten occasional flak at the Center for History and New Media for some recent efforts that seem more carnival than Ivory Tower, because they seem to throw out the academic emphasis on considered deliberation. (However, it should be noted that we also do many multi-year, sweat-and-tears, time-consuming projects like the National History Education Clearinghouse, putting online the first fifteen years of American history, and creating software used by millions of people.)

But the experience of events like One Week makes me question whether the academic default to deliberation is truly wise. One Weekers could have sat around for a week, a month, a year, and still I suspect that the tool they decided to build was the best choice, with the greatest potential impact. As programmers in the real world know, it’s much better to have partial, working code than to plan everything out in advance. Just by launching Anthologize in alpha and generating all that excitement, the team opened up tremendous reserves of good will, creativity, and problem-solving from users and outside developers. I saw at least ten great new use cases for Anthologize on Twitter in the first day. How are you supposed to come up with those ideas from internal deliberation or extensive planning?

There was also something special about the 24/7 focus the group achieved. The notion that they had to have a tool in one week (crazy on the face of it) demanded that the participants think about that tool all of the time (even in their sleep, evidently). I’ll bet there was the equivalent of several months worth of thought that went on during One Week, and the time limit meant that participants didn’t have the luxury of overthinking certain choices that were, at the end of the day, either not that important or equally good options. Eric Johnson, observing One Week on Twitter, called this the power of intense “singular worlds” to get things done. Paul Graham has similarly noted the importance of environments that keep one idea foremost in your mind.

There are probably many other areas where focus, limits, and, yes, speed might help us in academia. Dissertations, for instance, often unhealthily drag on as doctoral students unwisely aim for perfection, or feel they have to write 300 pages even though their breakthrough thesis is contained in a single chapter. I wonder if a targeted writing blitz like the successful National Novel Writing Month might be ported to the academy.

Start Small, Dream Big

As dissertations become books through a process of polish and further thought, so should digital tools iterate toward perfection from humble beginnings. I’ve written in this space about the Center for History and New Media’s love of Voltaire’s dictum that “the perfect is the enemy of the good [enough],” and we communicated to One Week attendees that it was fine to start with a tool that was doable in a week. The only caveat was that tool should be conceived with such modularity and flexibility that it could grow into something very powerful. The Anthologize launch reminds me of what I said in this space about Zotero on its launch: it was modest, but it had ambition. It was conceived not just as a reference manager but as an extensible platform for research. The few early negative comments about Anthologize similarly misinterpreted it myopically as a PDF-formatter for blogs. Sure, it will do that, as can other services. But like Zotero (and Omeka) Anthologize is a platform that can be broadly extended and repurposed. Most people thankfully got that—it sparked the imagination of many, even though it’s currently just a rough-around-the-edges alpha.

Congrats again to the whole One Week team. Go get some rest.

Spring 2010 Roy Rosenzweig Forum on Technology and the Humanities: The Library of Congress Twitter Archive

Tuesday, May 18th, 2010

Beth Dulabahn, Director of Integration Management in the Office of Strategic Initiatives at the Library of Congress, will talk about the donation of the Twitter archive to the library. Beth was involved in the talks with Twitter and will provide some background and insight into this major digital acquisition. There will also be a general discussion of the value of the archive and related issues.

The Spring 2010 Rosenzweig Forum will take place Friday, May 21, at 3 pm, in Rm. 470 (the Center for History and New Media’s lab), in the Research I building, George Mason University (Fairfax Campus). Parking is available in the Sandy Creek Parking deck, right across from Research I. CHNM is on the 4th Floor. Directions to GMU: http://www.gmu.edu/resources/welcome/Directions-to-GMU.html

All are welcome to attend!

The Last Digit of Pi – Video of My TEDxNYED Talk and Live Discussion

Thursday, May 6th, 2010

Here’s the video of my talk “The Last Digit of Pi,” given in New York City on March 6, 2010, at TEDxNYED. I’ll be discussing it live on Friday, May 7, at 3p EDT, on Twitter (follow me there or use the hashtag #tedxnyed to join in the discussion).

Regional THATCamps: A Movement

Tuesday, March 23rd, 2010

During this year’s Winter Games in Vancouver, I joked that like the Olympics, THATCamp was a movement, not an event. Well, only semi-joked. I did think there was something to trying to spread widely a new participatory and inclusive academic meeting, one that would spread the digital humanities, encourage collaboration and sharing, and disseminate knowledge better than the standard panels-and-lectures scholarly society annual conference. I’m incredibly delighted that the Andrew W. Mellon Foundation has now generously provided funding to support a network of THATCamps worldwide so that the unconference can serve many more people than we can here at the mothership.

THATCamp: The Humanities and Technology Camp was founded in 2008 by the Center for History and New Media’s Dave Lester, Jeremy Boggs, and Tom Scheinfeldt. (Dave is now the assistant director of the Maryland Institute for Technology in the Humanities.) A strange and wonderful thing happened over the last year: THATCamps started to spring up across the country and beyond, many of them hosted and run by those who participated in the yearly event in Fairfax, VA.

I strongly recommend that readers of this blog read Tom’s full post on the grant and regional THATCamps to get a sense of what’s involved (you can also read my prior posts on THATCamp), and hope that you consider hosting your own THATCamp. You don’t have to wait four years to light the torch.

The Last Digit of Pi

Monday, March 8th, 2010

[This is a rough transcript of my TEDxNYED talk, delivered on March 6, 2010, in New York City at the Collegiate School. TEDxNYED was an all-day conference "examining the role of new media and technology in shaping the future of education." For a meta-post about the experience of giving a TED(x) talk, please read "Academic Theater (Reflections on TED & TEDxNYED)." What I actually said and did at TEDxNYED deviated from this transcript; I engaged the audience directly a couple of times, once for fun and once to get their ideas about the subject. I'll post the video when it's available.]

I want to tell you a story about a forgotten realm of education and knowledge. It is a cautionary tale, a parable of what happens when the world changes, when tradition is challenged.

Until relatively recently in human history, pi was the much sought-after solution to what was long called the “rectification” or “quadrature” of the circle, fancy words more easily symbolized by the diagram in this slide. How can you transform that circle into the overlaid square? One side of the square would be one-quarter of pi if the diameter of the circle is 1.

Pi was a coveted number for thousands of years, imbued with magical properties. Generations of scholars pursued it doggedly, often considering it the be-all and end-all of geometry.

This is a different pi—pi as we moderns know it:

Well, not all of it, as I’m sure you know. It’s just the first 200 or so digits. The number stretches on forever. I hope you weren’t expecting me to reveal the actual last digit of pi. Because there isn’t one. Strange, no?

Pi wasn’t always this strange. The ancient Egyptians knew better, pegging the ratio of the circumference to the diameter of a circle at 4 over 3 to the 4th power. That’s considerably more definite, and thus much more sensible.

Archimedes knew better, homing in on the value of pi between a couple of very close fractions.

If you are a biblical literalist, pi would seem to be 3, since the Bible clearly describes 30 cubits as encompassing a circle of 10 cubit diameter.

And the solutions kept coming. From ancient mathematicians and philosophers, to medieval scholars, to the Renaissance and the Enlightenment. Everyone seemed capable of finding—with enough effort—the exact value for pi. Squaring the circle was an effort of genius in an ancient science perfectly described centuries ago by Euclid.

But something changed radically in the eighteenth century, just after that book on the right by Joubert de la Rue. A few mathematicians started to take more seriously the nagging feeling that pi didn’t have a perfect solution as a magical fraction. It might not have a last digit after all. This critical number at the center of mathematics might, in fact, be irrational. One mathematician began to reconceptualize pi.

And there he is: the dapper Swiss German mathematician Johann Heinrich Lambert:

He was the son of a tailor, obviously, and was mostly self-taught in mathematics. His brilliant work in the 1760s showed that π/4 could not be a rational number—you could never exactly figure out the value of one side of that square—and thus that pi too was irrational. After Lambert, math textbooks declared the matter solved.

That’s right, problem solved…

Except….circle-squaring kept on going. The world of mathematics had changed with the discoveries of the eighteenth century but somehow the message didn’t get through to many people. John Parker, on the left, came up with my personal favorite solution: pi is precisely 20612/6561. Some circle-squarers, like James Smith on the right, mocked Lambert’s proof as the work of a dilettante.

Things then got testy between the new mathematicians and those who clung to the prior vision of pi. The record of this warfare is as informative as it is humorous. In the 1860s and 70s, James Smith took on Augustus De Morgan, a math professor in London, in a series of short pamphlets, which were the Victorian equivalent of Twitter.

But unsurprisingly, the castigations of professors of mathematics didn’t stop the circle-squarers. Their solutions kept on coming, even in the face of criticism, even after pi had been shown to be transcendental, meaning it couldn’t even be the root of some other number or equation. My favorite book from the turn of the twentieth century had this subtitle on the cover: “The great problem which has baffled the greatest philosophers and the brightest minds of ancient and modern times has now been solved by a humble American citizen of the city of Brooklyn.”

Now, it’s easy to laugh at these misguided circle squarers, especially when they’re from Brooklyn. But if you read circle-squarers seriously, and stop to think about it, they are not so different from you or me. Even in our knowing times, we all persist in doing things that others have long since abandoned as absurd or passé.

History tells us that people are, alas, not very good at seeing the new, and instead are very good at maintaining the past at all costs. This is particularly true in education: Euclid’s Elements, written over 2,000 years ago, was still a standard math textbook well into the 19th century, despite major mathematical advances.

So it’s worth pausing to think about the last digit of pi. Why did so many continue to pursue pi as it was traditionally conceived, and why did they resist the new math?

Think for a moment about the distinction between the old and the new pi. The old was perfect, simple, ordered, divine; the new, seemingly imprecise, prosaic, chaotic, human. So the story of pi is the story, and the psychology, of what happens when the complex and new tries to overtake the simple and traditional.

It’s happening all around us in the digital age. We’re replacing what has been perceived as perfect and ordered with the seemingly imprecise and chaotic.

Look at what has happened, for instance, in the last decade with Wikipedia and the angst about the fate of the traditional Encyclopedia.

Or newspapers in the face of new forms of journalism, such as blogging. A former baseball statistician, Nate Silver of FiveThirtyEight.com, can brazenly decide to analyze elections and economy better than most newspapers? Yes indeed.

Now this audience, hip to the right side of these screens, may want to be as mean as Augustus De Morgan to those still on the left. We may want to leave modern circle-squarers behind, and undoubtedly some of them will be left behind. But for the majority who are unsettled and are caught between the old and the new, we need other methods to convince them and to change the status quo. History tells us it’s not enough to say that people are blind to the future. We have to show precisely what the weaknesses of the old are…

…and we have to show how the new works better than the old.

Knowing pi correctly to the 10th digit is enormously helpful when accurately predicting the movements of heavenly bodies; try using James Smith’s 3 1/8 when tracing the arc of a planet or moon. For some physics, knowing pi accurately to the 40th digit is critical.

Moreover, this modern pi may be strange, but its very strangeness opened up new avenues of research and thought that were just as intellectually challenging and rewarding as squaring the circle. The transcendental nature of pi led mathematicians to ponder infinite sequences of fractions and had an impact on chaos theory. In computer science, coming up with algorithms to reach a billion or trillion digits of pi as quickly as possible advanced the field. And, if you still want an unsolved problem to crack, see if you can figure out if pi is what is called a “normal number,” where the distribution of the digits 0-9 is uniform…

…or is there instead a preponderance of eights. Now that’s a tough problem, related to real issues in modern math. So there are still problems to be solved, more advanced problems. Math didn’t end with the end of the old pi—it just moved in new, more interesting directions.

But to get to that point, mathematicians had to show in a comprehensible way how the new pi created a new order.